POTTERY AND SCULPTURE IN CULTURAL IDENTITY: A COMPARATIVE AND HISTORICAL ANALYSIS

Authors

  • Ravshanbekova Soliha Umarbek qizi 11th grade pupil of secondary school No. 10, Urgench city, Khorezm region, Uzbekistan

DOI:

https://doi.org/10.55640/

Keywords:

Pottery, Sculpture, Cultural Identity, Ceramic Art, Material Culture, Artistic Heritage, Visual Arts, Creative Expression, Traditional Crafts

Abstract

Pottery and sculpture are among the earliest forms of artistic expression in human civilization. These art forms have served not only as functional objects. and aesthetic creations but also as cultural symbols that reflect social values, religious beliefs, and historical transformations. This article provides a comparative and historical analysis of pottery and sculpture, focusing on their cultural. significance, material techniques, and evolving roles in modern society. By examining these art forms across different civilizations and periods, the study highlights their contribution to cultural identity and artistic continuity. The research emphasizes that pottery and sculpture remain relevant in contemporary art through innovation, sustainability, and interdisciplinary approaches.

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References

1.Gombrich, E. H. (2006). The Story of Art. Phaidon Press.

2.Read, H. (1964). A Concise History of Modern Sculpture. Thames and Hudson.

3.Rice, P. M. (1987). Pottery Analysis: A Sourcebook. University of Chicago Press.

4.Boardman, J. (1995). Greek Sculpture: The Classical Period. Thames and Hudson.

5.Rawson, P. (1984). Ceramics. University of Pennsylvania Press.

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Published

2026-01-24

Issue

Vol. 5 No. 01 (2026): Journal of Multidisciplinary Sciences and Innovations

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.

How to Cite

POTTERY AND SCULPTURE IN CULTURAL IDENTITY: A COMPARATIVE AND HISTORICAL ANALYSIS. (2026). Journal of Multidisciplinary Sciences and Innovations, 5(01), 1887-1890. https://doi.org/10.55640/

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