THE EXPRESSION OF NATIONAL IDENTITY AND ENLIGHTENMENT ON STAGE
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This article analyzes the artistic expression of national identity and enlightenment on stage using the example of Jadid dramaturgy. The article focuses on Abdulla Avloni's drama "Pinak" (drowsiness). The work reveals such problems as the idea of national awakening, ignorance and knowledge, old age and renewal, helplessness and freedom through dramatic conflicts. The study highlights the main principles of drama theory - conflict, character, stage speech and dramatic composition - in the context of the Jadid literary process. The drama "Pinak" (drowsiness) is also evaluated as a means of understanding national identity, spiritual renewal and awakening social consciousness in Uzbek theatrical art. The article analyzes the enlightening essence of Jadid dramaturgy and its influence on modern theatrical thinking from a scientific and theoretical perspective.
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