CINEMA AND THEATRE: SIMILARITIES AND DIFFERENCES

Authors

  • Abdilmannonova Muxlisa O‘tkirbek qizi,Mushtariybegim Komilova Student of the Drama Theatre and Film Acting Program, Kokand State University Scientific Supervisor

DOI:

https://doi.org/10.55640/

Keywords:

Cinema, Theatre, Performance Studies, Media Comparison, Live Art, Film Theory, Audience Engagement, Narrative Structure

Abstract

This article critically examines the intricate relationship between cinema and theatre, two fundamental forms of storytelling and performance. Both mediums share common ground in their reliance on narrative structure, character portrayal, and the creation of immersive experiences for an audience. However, significant divergences arise from their distinct technical apparatus, the ephemeral nature of live performance versus the permanence of film, and their respective production methodologies. By dissecting these parallels and contrasts, this study illuminates how each art form influences and distinguishes itself from the other. Ultimately, understanding these dynamics enriches our appreciation of their unique contributions to cultural expression.

Downloads

Download data is not yet available.

References

[1] Leitch, T. (2022). Adaptation and the Stage: Theatre and Film. Bloomsbury Academic. – https://www.bloomsbury.com/uk/adaptation-and-the-stage-theatre-and-film-9781501377883/

[2] Bay-Cheng, S., Parker-Starbuck, J., & Parille, K. (Eds.). (2023). The Routledge Companion to Media and Performance. Routledge. – https://www.routledge.com/The-Routledge-Companion-to-Media-and-Performance/Bay-Cheng-Parker-Starbuck-Parille/p/book/9780367468707

[3] Bay-Cheng, S. (2020). Live Cinema: The Art of the Hybrid Performance. Bloomsbury Academic. – https://www.bloomsbury.com/us/live-cinema-9781501353986/

[4] Chemers, M. M. (2020). Screening the Stage: The Theatricality of Film and the Filmicness of Theatre. Palgrave Macmillan. – https://link.springer.com/book/10.1007/978-3-030-45980-8

[5] Dutra, M. (2023). Theatres of the Screen: Theatricality in Contemporary Cinema. Edinburgh University Press. – https://edinburghuniversitypress.com/book-theatres-of-the-screen.html

[6] Silverstone, C. (2021). Performance and the Moving Image. Palgrave Macmillan. – https://link.springer.com/book/10.1007/978-3-030-74507-6

[7] O'Malley, E., & Bay-Cheng, S. (Eds.). (2020). Intermedial Performance and the Digital: Theatres of the Screen. Palgrave Macmillan. – https://link.springer.com/book/10.1007/978-3-030-45983-9

[8] Mushtariybegim G’Ofurjon Qizi Komilova, Komilov Mo’Minjon Abduraximjon O’G’Li, and Sh.Usmonov. "AKTYORNING OBRAZ USTIDA ISHLASHI (QOʻQON SHAHAR MUSIQALI DRAMA TEATRI AKTYORI, MARHUM USTOZ SAN’ATKOR, RAXMANJON PO’LATOV ROLLARI TALQINIDA)" Oriental Art and Culture, vol. 4, no. 3, 2023, pp. 262-269.

[9] Mushtariybegim G‘Ofurjon Qizi Komilova, Mo’Minjon Abduraximjon O’G‘Li Komilov, and Sh.Usmonov. "MUSIQIY SPEKTAKLLARDAGI BADIIY YAXLITLIK OMILLARI" Oriental Art and Culture, vol. 4, no. 5, 2023, pp. 117-122.

[10] M.Komilova. "ALISHER NAVOIY IJODIY MEROSINING YOSHLAR TARBIYASIDAGI AHAMIYATI" World of Philology, vol. 1, no. 2, 2022, pp. 66-71.

[11] Mushtariybegim G’Ofurjon Qizi Komilova, and Sh.Usmonov. "USTOZ SAN’ATKOR, O’ZBEKISTONDA XIZMAT KO’RSATGAN ARTIST HURSANOY UMAROVANING IJRO MAHORATI" Oriental Art and Culture, vol. 3, no. 2, 2022, pp. 341-347.

[12] G.R.Muratova, and M.Komilova. "PARALIMPIYA SPORTI IMKONIYATLARI CHEKLANGAN SHAHSLARNI IJTIMOIYLASHTIRISH USULI SIFATIDA" Oriental Art and Culture, vol. 3, no. 2, 2022, pp. 697-701.

[13] Mushtariybegim G’Ofurjon Qizi Komilova, and Sh.Usmonov. "QOʻQON TEATR SANʼATI IJTIMOIY HODISA SIFATIDA" Oriental Art and Culture, vol. 3, no. 4, 2022, pp. 579-585.

[14] Mo’Minjon Komilov, and Mushtariybegim Komilova. "O’ZBEKISTONDA XIZMAT KO’RSATGAN ARTIST USTOZ SAN’ATKOR XURSANOY UMAROVA SAN’AT FIDOIYSI" Oriental Art and Culture, vol. 3, no. 2, 2022, pp. 360-366.

[15] Mo’Minjon Komilov. "SAN’AT VA MADANIYAT SOHASIDAGI SIYOSATINING KONSEPTUAL NEGIZLARI VA UNING MAMLAKAT TARAQQIYOTIGA TA’SIRI" Oriental Art and Culture, no. 7, 2021, pp. 70-83.

[16] Mushtariybegim Komilova. "SAN’AT VA MADANIYAT MENEJMENTI (BOSHQARUV SAN’ATI) HAQIDA ILMIY YONDOSHUVLAR VA UNING ZAMONAVIY KLASSIFIKATSIYASI" Oriental Art and Culture, no. 7, 2021, pp. 91-106.

Downloads

Published

2026-06-10

Issue

Vol. 5 No. 6 (2026): Journal of Multidisciplinary Sciences and Innovations

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.

How to Cite

CINEMA AND THEATRE: SIMILARITIES AND DIFFERENCES. (2026). Journal of Multidisciplinary Sciences and Innovations, 5(6), 709-713. https://doi.org/10.55640/

Similar Articles

1-10 of 2364

You may also start an advanced similarity search for this article.

Most read articles by the same author(s)