THE INTRODUCTION OF MODERN INSTRUMENTS INTO UZBEK NATIONAL MUSICAL INSTRUMENT ENSEMBLES AND THEIR SIGNIFICANCE

Abstract

This article analyzes the process of introducing modern musical instruments into Uzbek national instrumental ensembles, the historical and cultural reasons for this process, and its significance in contemporary performance practice. The article discusses the role of traditional Uzbek instruments such as the dutar, tanbur, rubab, gijjak, nay, chang, and doira in preserving national musical identity. It also examines the integration of modern and Western instruments such as the synthesizer, electric guitar, bass guitar, electronic drums, violin, cello, clarinet, and piano into national ensemble performance. Special attention is given to the creative balance between tradition and modernity. The article emphasizes that modern instruments should enrich Uzbek national music without weakening its traditional melodic structure, maqom thinking, rhythmic character, and national spirit. The creative legacy of Yunus Rajabiy is also discussed as an important example of preserving, systematizing, and developing Uzbek classical and folk music.