SEVENTH CHORD AND ITS TYPES. DOMINANT SEVENTH CHORD

Authors

  • Sobirova Oygul Alimovna (PhD) Assistant-teacher at Kokand SU
  • Valiyeva Nigina Zohid kizi Student of the Music education department

DOI:

https://doi.org/10.55640/

Keywords:

seventh chord, dominant seventh chord, harmony, tonality, intervals, chord resolution, tonic, dominant, harmonic function, music theory.

Abstract

This article examines the theoretical foundations and musical significance of seventh chords as one of the essential elements of harmonic language in music theory. The study provides detailed information about the structure of seventh chords, their intervallic composition, classification, and functional role within tonal harmony. Particular attention is given to the dominant seventh chord, which occupies a central place in classical harmonic systems due to its strong tendency toward tonal resolution. The article analyzes the formation of seventh chords through the addition of a third above triads and explains the specific characteristics of major seventh, minor seventh, dominant seventh, half-diminished seventh, and diminished seventh chords. Their acoustic qualities, emotional expressiveness, and practical applications in musical composition are discussed from both theoretical and artistic perspectives.

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References

1.Kostka, S., Payne, D., & Almén, B. Tonal Harmony with an Introduction to Post-Tonal Music. 9th edition. New York: McGraw-Hill Education, 2021.

2.Roig-Francolí, M. Understanding Post-Tonal Music. 3rd edition. New York: Routledge, 2021.

3.Laitz, S. G. The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening. 5th edition. Oxford: Oxford University Press, 2022.

4.Benward, B., & Saker, M. Music in Theory and Practice. 11th edition. New York: McGraw-Hill, 2021.

5.Clendinning, J. P., & Marvin, E. W. The Musician’s Guide to Theory and Analysis. 4th edition. New York: W.W. Norton & Company, 2022.

6.Piston, W., & Devoto, M. Harmony. Expanded edition. New York: W.W. Norton & Company, 2021.

7.Aldwell, E., Schachter, C., & Cadwallader, A. Harmony and Voice Leading. 5th edition. Boston: Cengage Learning, 2021.

8.Burstein, L., & Straus, J. N. Concise Introduction to Tonal Harmony. New York: W.W. Norton & Company, 2023.

9.Gauldin, R. Harmonic Practice in Tonal Music. New York: Routledge, 2021.

10.Cook, N. Music: A Very Short Introduction. 2nd edition. Oxford: Oxford University Press, 2021.

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Published

2026-05-07

Issue

Vol. 5 No. 5 (2026): Journal of Multidisciplinary Sciences and Innovations

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.

How to Cite

SEVENTH CHORD AND ITS TYPES. DOMINANT SEVENTH CHORD. (2026). Journal of Multidisciplinary Sciences and Innovations, 5(5), 501-504. https://doi.org/10.55640/

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