DESIGNING WOMEN’S GARMENTS WITH COMPLEX CUTS BASED ON THE FREE-HAND FABRIC PAINTING TECHNIQUE

Authors

  • Mirziyodova Komila Bakhodir kizi, Kodiriy Firdavskhon Nodirjon kizi, Husanova Madina Mukhtor kizi, Rakhmatullayeva Umida Saydazimovna Tashkent Institute of Textile and Light Industry Doctoral student (3rd year), Tashkent Institute of Textile and Light Industry Master’s student (1st year), Costume Design, Tashkent Institute of Textile and Light Industry Master’s student (1st year), Costume Design, Tashkent Institute of Textile and Light Industry Professor, Department of Fashion and Design, PhD

DOI:

https://doi.org/10.55640/

Keywords:

fabric painting, free-hand graphics, complex cut, composition, aesthetic foundation, constructive modeling, silhouette, women’s wear

Abstract

This article investigates the process of designing women’s garments with complex cuts using the free-hand fabric painting technique from artistic-aesthetic and constructive perspectives. The study examines the influence of graphic compositions applied to the fabric surface on silhouette formation, segmentation systems, and the overall structural configuration of the garment. Based on an experimental model, the interaction between graphic and constructive elements was analyzed. The results show that the free-hand fabric painting technique ensures design integrity in the creation of complex-cut garments and significantly enhances their aesthetic expressiveness.

Downloads

Download data is not yet available.

References

1.Aldrich, W. (2015). Metric pattern cutting for women’s wear. Oxford: Wiley-Blackwell. pp. 65–82.

2.Armstrong, H. J. (2014). Patternmaking for fashion design. New York: Pearson Education. pp. 312–345.

3.Miyake, I. (1999). Making things. New York: Scalo Publishers. pp. 110–124.

4.Vionnet, M. (1998). Madeleine Vionnet: Bias cut. Paris: Editions du Regard. pp. 45–58.

5.Rakhimkulova, S. A., Rakhmatullayeva, U. S., & Temirov, D. X. (2022). Creation of methods of making national costume decorative elements. ACADEMICIA: An International Multidisciplinary Research Journal, 12(5), 1324–1331.

6.Karimova, D. (2020). Moda dizaynida kompozitsiya asoslari [Fundamentals of composition in fashion design]. Tashkent: Fan va texnologiya. pp. 88–96.

7.Kamilova, X. X., Rakhmatullaeva, U. S., & Raksimkulova, S. (2021). Analysis and place of artistic elements in the Surkhandarya costume.

8.Shodmonova, N. (2019). Ayollar kiyimlarini loyihalash va konstruksiyalash asoslari [Fundamentals of women’s clothing design and construction]. Tashkent: Yangi asr avlodi. pp. 112–130.

9.Rasuleva, M., & To‘xtasinov, A. (2018). Kiyim konstruksiyasi asoslari [Fundamentals of clothing construction]. Tashkent: Fan. pp. 145–160.

10.Bulatov, S. S. (2007). O‘zbek xalq amaliy bezak san’ati [Uzbek folk applied decorative art]. Tashkent: Iqtisod-Moliya. pp. 120–135.

11.Seivewright, L. (2012). Textiles and fashion. London: AVA Publishing. pp. 154–170.

12.Yamamoto, Y. (2010). My dear bomb. Antwerp: Ludion. pp. 92–105.

13.Cooklin, G. (2013). Pattern cutting for women’s outerwear. London: Blackwell Publishing. pp. 200–215.

14.Nakamichi, T. (2010). Pattern magic. London: Laurence King Publishing. pp. 12–35.

15.Bulatov, S. S. (2008). O‘zbek xalq amaliy bezak san’ati [Uzbek folk applied decorative art]. Tashkent: Iqtisod-Moliya. pp. 150–165.

16.Kerlog, F. (2007). Batik: tekhnika, istoriya i dizayn [Batik: technique, history and design]. Moscow: Art-Rodnik. pp. 52–70.

Downloads

Published

2026-03-08

Issue

Vol. 5 No. 03 (2026): Journal of Multidisciplinary Sciences and Innovations

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.

How to Cite

DESIGNING WOMEN’S GARMENTS WITH COMPLEX CUTS BASED ON THE FREE-HAND FABRIC PAINTING TECHNIQUE. (2026). Journal of Multidisciplinary Sciences and Innovations, 5(03), 144-148. https://doi.org/10.55640/

Similar Articles

31-40 of 1000

You may also start an advanced similarity search for this article.