REGIONAL DIFFERENTIATION IN UZBEK MAQOM ART: ON THE EXAMPLE OF BUKHARA, FERGANA–TASHKENT AND KHOREZM MAQOMS

Authors

  • Muqumova Mohinur Habibullo kizi, Nurmuhammadov Sardor Alijon ugli A second-year students of the Department of Traditional Vocal Performance and Folk Instruments at Gulistan State University.
  • Akbarova Mohigul Gulomovna Scientific advisor, Lecturer, GulistanState University

DOI:

https://doi.org/10.55640/

Keywords:

maqomat, Shashmaqom, Chormaqom, Nasr branches, Sarakhbor, Suvora cycles, Tanbur line, katta ashula, improvisation, performance school.

Abstract

This article provides a scholarly analysis of the regional differentiation of Bukhara Shashmaqom, the Fergana–Tashkent maqom cycles known as Chormaqom, and the Khorezm maqom within the broader system of Central Asian maqomat. The study examines their shared and distinctive features on the basis of historical sources, including the chronicle Tarikh-i Bukhara, written materials from the sixteenth to nineteenth centuries, performance traditions, notation practices such as the “Tanbur line,” and master–disciple schools of transmission. Elements such as improvisation, the structure of sho‘ba (subsections), Sarakhbor, Talqin and Nasr cycles, the Suvora genre, and the tradition of katta ashula are identified as the principal factors defining regional distinctions.

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References

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11.Muqumova Mohinur Habibullo kizi, & Akbarova Moxigul Gulomovna. (2025). MAQOM ART IN THE EDUCATION SYSTEM: HISTORICAL EXPERIENCE, CURRENT STATE, AND PROSPECTS. Ethiopian International Multidisciplinary Research Conferences, 1(1), 54–56. Retrieved from https://eijmr.org/conferences/index.php/eimrc/article/view/1713

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Published

2026-02-17

Issue

Vol. 5 No. 02 (2026): Journal of Multidisciplinary Sciences and Innovations

Section

Articles

License

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This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.

How to Cite

REGIONAL DIFFERENTIATION IN UZBEK MAQOM ART: ON THE EXAMPLE OF BUKHARA, FERGANA–TASHKENT AND KHOREZM MAQOMS. (2026). Journal of Multidisciplinary Sciences and Innovations, 5(02), 1324-1327. https://doi.org/10.55640/

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