STYLISTIC TRANSFORMATIONS OF MUSICAL GENRES IN THE 20TH CENTURY AND THEIR SOCIO-AESTHETIC FOUNDATIONS
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Abstract
This article examines the concept of genre in twentieth-century musical art, its development, and its role in musical creativity. Theoretical views of various art scholars are analyzed and evaluated through the lens of socio-aesthetic transformation. The study highlights the evolution of musical genres, their mutual influence, and the emergence of hybrid forms under new cultural and ideological paradigms of the twentieth century.
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References
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