STYLISTIC TRANSFORMATIONS OF MUSICAL GENRES IN THE 20TH CENTURY AND THEIR SOCIO-AESTHETIC FOUNDATIONS

Authors

  • Tashpulatov Muzaffar Fayzullayevich Doctor of Philosophy (PhD) in Art Studies, Musicologist Member of the Union of Composers and Musicologists of Uzbekistan

DOI:

https://doi.org/10.55640/

Keywords:

genre, genesis, style, composer, form, category, sonata, vocal music.

Abstract

This article examines the concept of genre in twentieth-century musical art, its development, and its role in musical creativity. Theoretical views of various art scholars are analyzed and evaluated through the lens of socio-aesthetic transformation. The study highlights the evolution of musical genres, their mutual influence, and the emergence of hybrid forms under new cultural and ideological paradigms of the twentieth century.

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References

1.Asafyev, B. V. (1973). Musical Form as a Process. Moscow.

2.Besseler, H. (1978). Aufsätze zur Musikästhetik und Musikgeschichte. Leipzig.

3.Lobanova, M. (1990). Musical Style and Genre: Baroque, Classicism, and the 20th Century. Moscow.

4.Nazaykinskiy, E. (2003). Style and Genre in Music. Moscow.

5.Popova, T. V. (1954). Musical Genres and Forms. Moscow.

6.Sokolov, O. V. (1994). On the Problem of Musical Genre Typology. Nizhny Novgorod.

7.Sokhor, A. (1971). The Theory of Musical Genres: Tasks and Perspectives. Moscow.

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Published

2025-10-26

How to Cite

STYLISTIC TRANSFORMATIONS OF MUSICAL GENRES IN THE 20TH CENTURY AND THEIR SOCIO-AESTHETIC FOUNDATIONS. (2025). Journal of Multidisciplinary Sciences and Innovations, 4(9), 1191-1196. https://doi.org/10.55640/

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