STYLISTIC TRANSFORMATIONS OF MUSICAL GENRES IN THE 20TH CENTURY AND THEIR SOCIO-AESTHETIC FOUNDATIONS
DOI:
https://doi.org/10.55640/Keywords:
genre, genesis, style, composer, form, category, sonata, vocal music.Abstract
This article examines the concept of genre in twentieth-century musical art, its development, and its role in musical creativity. Theoretical views of various art scholars are analyzed and evaluated through the lens of socio-aesthetic transformation. The study highlights the evolution of musical genres, their mutual influence, and the emergence of hybrid forms under new cultural and ideological paradigms of the twentieth century.
Downloads
References
1.Asafyev, B. V. (1973). Musical Form as a Process. Moscow.
2.Besseler, H. (1978). Aufsätze zur Musikästhetik und Musikgeschichte. Leipzig.
3.Lobanova, M. (1990). Musical Style and Genre: Baroque, Classicism, and the 20th Century. Moscow.
4.Nazaykinskiy, E. (2003). Style and Genre in Music. Moscow.
5.Popova, T. V. (1954). Musical Genres and Forms. Moscow.
6.Sokolov, O. V. (1994). On the Problem of Musical Genre Typology. Nizhny Novgorod.
7.Sokhor, A. (1971). The Theory of Musical Genres: Tasks and Perspectives. Moscow.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.

Germany
United States of America
Italy
United Kingdom
France
Canada
Uzbekistan
Japan
Republic of Korea
Australia
Spain
Switzerland
Sweden
Netherlands
China
India