NARRATIVE GLOBALIZATION IN 21ST CENTURY ANGLOPHONE NOVELS: AN IMRAD-BASED ANALYSIS

Authors

  • Saidova Sevara Valijonovna The first-year Master’s student Asia University, Bukhara.

DOI:

https://doi.org/10.55640/

Keywords:

globalization, narrative strategies, Anglophone literature, transnationalism, cultural hybridity, identity, 21st century novel, polyphony, digital modernity.

Abstract

This article examines the phenomenon of narrative globalization in 21st century Anglophone novels through the IMRaD (Introduction, Methods, Results, and Discussion) structure. The study explores how contemporary writers represent transnational mobility, cultural hybridity, digital interconnectedness, and global inequalities within fictional narratives. By applying comparative literary analysis and thematic interpretation, the research identifies dominant narrative strategies such as polyphony, fragmented temporality, multilingual discourse, and transcultural characterization. The findings demonstrate that globalization not only shapes thematic concerns but also transforms narrative form and identity construction in modern Anglophone fiction.

References

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4. Jameson F. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991.

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6. Sassen S. Globalization and Its Discontents. New York: New Press, 1998.

7. Beck U. What Is Globalization? Cambridge: Polity Press, 2000.

8. Moretti F. Distant Reading. London: Verso, 2013.

9. Bauman Z. Liquid Modernity. Cambridge: Polity Press, 2000.

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Published

2026-02-22

How to Cite

NARRATIVE GLOBALIZATION IN 21ST CENTURY ANGLOPHONE NOVELS: AN IMRAD-BASED ANALYSIS. (2026). International Journal of Political Sciences and Economics, 5(02), 487-488. https://doi.org/10.55640/

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