HISTORICAL AND THEORETICAL FOUNDATIONS OF THE ART OF DOIRA PERFORMANCE

Authors

  • Muzaffar Esanov Teacher at the Department of Folklore and Ethnography, Nukus Branch of the Uzbekistan State Institute of Arts and Culture

DOI:

https://doi.org/10.55640/

Keywords:

doira, membranophone, acoustics, usul, rhythm, biomechanics, maqom, strike, resonance.

Abstract

This article analyzes the scientific and practical aspects of doira performance, the basis of Uzbek and Karakalpak national instrumental art. The study highlights the acoustic characteristics of doira strikes, the mathematical structure of maqom rhythmic patterns (usuls), and the biomechanics of finger techniques based on authentic sources.

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References

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13.Abdreymov, Manas Bekpolatovich. "AKTYOR YOKI SUXONDON OVOZINI YOZIB OLISH VA NUTQ FONOGRAMMALARINING MONTAJ JARAYONI." Oriental Art and Culture 5.2 (2024): 126-134.

14.Abdreymov, Manas Bekpolatovich. "AKTYOR YOKI SUXONDON OVOZINI YOZIB OLISH VA NUTQ FONOGRAMMALARINING MONTAJ JARAYONI." Oriental Art and Culture 5.2 (2024): 126-134.

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Published

2026-03-03 — Updated on 2026-03-04

Versions

Issue

Vol. 5 No. 02 (2026): Journal of Multidisciplinary Sciences and Innovations

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.

How to Cite

HISTORICAL AND THEORETICAL FOUNDATIONS OF THE ART OF DOIRA PERFORMANCE. (2026). Journal of Multidisciplinary Sciences and Innovations, 5(02), 2555-2559. https://doi.org/10.55640/ (Original work published 2026)

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