LAUGHTER AS THE FUNDAMENTAL ELEMENT OF SATIRICAL WORKS

Authors

  • Oqbutayev Elbek Abdurazzok ugli Teacher , Gulistan state university , Gulistan, Uzbekistan

DOI:

https://doi.org/10.55640/

Keywords:

laughter, satire, satirical literature, Uzbek literature, independence period, humor, irony, parody, aesthetic function, social criticism.

Abstract

This article examines laughter as a fundamental element of satirical literature, focusing on its aesthetic, psychological, and socio-critical functions. Drawing on theoretical approaches to the phenomenon of laughter, the study analyzes its role in shaping artistic expression and influencing readers’ perception. Particular attention is given to Uzbek satirical stories of the independence period, where laughter serves as a key device for reflecting national identity, addressing contemporary social issues, and challenging established stereotypes. The paper also explores the diversity of forms of laughter, their functions in literary texts, and the importance of their appropriate use in maintaining the balance between content and form. It is argued that effective use of laughter enhances both the aesthetic value and the critical potential of literary works, while its misuse may weaken their impact.

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References

1.Abrams, M. H. (1999). A glossary of literary terms (7th ed.). London: Penguin Group.

2.Baldick, C. (2000). The Oxford dictionary of literary terms. New York: Oxford University Press.

3.Baldick, C. (2001). The Oxford dictionary of literary terms. New York: Oxford University Press.

4.Cuddon, J. A. (1999). The Penguin dictionary of literary terms and literary theory. London: Penguin Books.

5.Worcester, D. (2014). The art of satire. Cambridge, MA: Harvard University Press.

6.Dentith, S. (2000). Parody. London: Routledge.

7.Fletcher, M. D. (1987). Contemporary political satire: Narrative strategies in the post-modern context. Lanham, MD: University Press of America.

8.Freud, S. (1960). Jokes and their relation to the unconscious (J. Strachey, Trans.). In J. Strachey (Ed.), The standard edition of the complete psychological works of Sigmund Freud. London: Hogarth Press.

9.Hutcheon, L. (1985). A theory of parody: The teachings of twentieth-century art forms. Urbana: University of Illinois Press.

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Published

2026-04-09

How to Cite

LAUGHTER AS THE FUNDAMENTAL ELEMENT OF SATIRICAL WORKS. (2026). Journal of Multidisciplinary Sciences and Innovations, 5(4), 700-704. https://doi.org/10.55640/

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