STRUCTURAL AND STYLISTIC FEATURES OF FLASH FICTION IN TARA CAMPBELL’S NARRATIVE TECHNIQUE

Authors

  • Sharipova Parvina Shukhratovna Asia International University, Teacher

DOI:

https://doi.org/10.55640/

Keywords:

Flash fiction, narrative structure, stylistic minimalism, narrative compression, literary brevity, contemporary American literature, Tara Campbell, storytelling techniques, open-ended narrative, reader interpretation.

Abstract

Flash fiction has become an increasingly significant form in contemporary literature due to its brevity, narrative intensity, and stylistic economy. Among modern practitioners of this genre, Tara Campbell stands out for her innovative narrative techniques and distinctive storytelling style. This article examines the structural and stylistic features of flash fiction in Campbell’s works, focusing on the principles of narrative compression, minimalism, and implicit meaning. The study analyzes how the author constructs complete narratives within extremely limited word counts while maintaining emotional depth and thematic complexity. Special attention is given to the use of concise characterization, symbolic imagery, and open-ended conclusions, which actively engage readers in interpreting the narrative. The research also explores how Campbell’s stylistic choices, such as economical language, suggestive dialogue, and strategic narrative gaps, contribute to the aesthetic effectiveness of her flash fiction. By applying theoretical approaches to genre studies and narratology, the article demonstrates that Campbell’s works exemplify the essential characteristics of contemporary flash fiction while simultaneously expanding its expressive possibilities. The findings highlight that the structural precision and stylistic minimalism in Campbell’s narratives play a crucial role in creating powerful literary effects within the constraints of the flash fiction form.

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References

1.James Thomas, & Robert Shapard. (1992). Flash Fiction: 72 Very Short Stories. New York: W.W. Norton & Company.

2.James Thomas, Robert Shapard, & Christopher Merrill. (2006). Flash Fiction Forward: 80 Very Short Stories. New York: W.W. Norton & Company.

3.Jerome Stern. (2011). Making Shapely Fiction. New York: W.W. Norton & Company.

4.David Gaffney. (2014). Brevity: A Flash Fiction Handbook. Bristol: Salt Publishing.

5.Randall Brown. (2015). Flash Fiction International: Very Short Stories from Around the World. New York: W.W. Norton & Company.

6.David Herman. (2009). Basic Elements of Narrative. Oxford: Wiley-Blackwell.

7.Monika Fludernik. (2009). An Introduction to Narratology. London: Routledge.

8.Peter Hühn et al. (2014). The Living Handbook of Narratology. Hamburg: Hamburg University Press.

9.Tara Campbell. (2018). Circe's Bicycle. Santa Fe: Lit Fest Press.

10.Tara Campbell. (2020). Midnight at the Organporium. Santa Fe: Lit Fest Press.

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Published

2026-03-18

How to Cite

STRUCTURAL AND STYLISTIC FEATURES OF FLASH FICTION IN TARA CAMPBELL’S NARRATIVE TECHNIQUE. (2026). Journal of Multidisciplinary Sciences and Innovations, 5(03), 1415-1418. https://doi.org/10.55640/

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