WORLD VOCAL ART TECHNIQUE: THEORY, METHODOLOGY, AND PRACTICE

Authors

  • Otarbaev Daniyar Azatbayvich Nukus branch of the State Institute of Arts and Culture of Uzbekistan. Dean of the Faculty of Theatre Arts

DOI:

https://doi.org/10.55640/

Keywords:

vocal technique, resonance, acoustics, vocal mask, breath support, bel canto, vocal apparatus, formant.

Abstract

This article analyzes the scientific and practical foundations of world vocal art technique. The research focuses on the theory of resonance, acoustic control, and the physiological capabilities of the vocal apparatus. Drawing on the views of famous vocal teachers and scientists, the article highlights the fundamental laws of professional voice formation.

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References

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15.Abdreymov, Manas Bekpolatovich. "AKTYOR YOKI SUXONDON OVOZINI YOZIB OLISH VA NUTQ FONOGRAMMALARINING MONTAJ JARAYONI." Oriental Art and Culture 5.2 (2024): 126-134.

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Published

2026-03-03

Issue

Vol. 5 No. 02 (2026): Journal of Multidisciplinary Sciences and Innovations

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.

How to Cite

WORLD VOCAL ART TECHNIQUE: THEORY, METHODOLOGY, AND PRACTICE. (2026). Journal of Multidisciplinary Sciences and Innovations, 5(02), 2503-2505. https://doi.org/10.55640/

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