THE LITERARY INTERPRETATION OF THE CONCEPT OF SUFI PATH STAGES IN NAVOI’S HERITAGE

Authors

  • Khakkulova Dilshoda Abduvasievna Lecturer at the Department of Uzbek and Russian Philology, Asia International University
  • Orziyeva Laylo Odil kizi 1st-year Master’s Student, Uzbek Language and Literature Program, Asia International University

DOI:

https://doi.org/10.55640/

Keywords:

Alisher Navoi, Sufism, Tariqat, Maqom, Spiritual Stations, Khamsa, Chagatai Literature, Islamic Mysticism, ‘Ishq (Love), Fana (Annihilation)

Abstract

Alisher Navoi’s poetry represents a pinnacle of Chagatai (Old Uzbek) literature, where he masterfully integrated Sufi philosophical concepts into his poetic universe. This article explores the interpretation of tariqat maqomlari (stations of the Sufi path) within Navoi’s work, particularly as reflected in his Khamsa (Quintet) and ghazals. It argues that Navoi did not merely describe the stages of spiritual ascent in a doctrinal manner, but artistically transformed them into narratives of human emotion, ethical struggle, and divine love. By analyzing key passages from his works, this study demonstrates how the stations of repentance (tawba), patience (sabr), gratitude (shukr), love (‘ishq), and annihilation (fana), among others, are woven into the fabric of his characters' journeys and lyrical voice. The article concludes that Navoi’s treatment of tariqat stages serves as both a guide for spiritual wayfarers and a universal metaphor for the human soul’s quest for perfection and truth.

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References

1.Navoi, A. Lison ut-Tayr. Critical edition. Tashkent: Fan Publishing House.

2.Navoi, A. Khamsa. Annotated academic edition. Tashkent: Gafur Gulom Publishing House.

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Published

2025-12-12

How to Cite

THE LITERARY INTERPRETATION OF THE CONCEPT OF SUFI PATH STAGES IN NAVOI’S HERITAGE. (2025). Journal of Multidisciplinary Sciences and Innovations, 4(11), 1202-1205. https://doi.org/10.55640/

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