THE EVOLUTION OF CINEMA: HOW INDEPENDENCE CHANGED UZBEK CINEMA
DOI:
https://doi.org/10.55640/Keywords:
Uzbek cinema, independence, creative freedom, economic model, post-Soviet transition, film industry, cultural transformationAbstract
Independence in 1991 ushered in an era of dramatic change in Uzbek cinema. The stable but ideologically constrained system collapsed, and the national film industry found itself caught between two opposing forces: the acquisition of creative freedom and the destruction of the traditional economic model.
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References
1.Abashin, S. (2009). Culture and everyday life in Central Asia after independence. Central Asian Survey, 28(4), 415–433. https://doi.org/10.1080/02634930903302060
2.Bridges, B. (2014). Post-Soviet transformations in national cinemas: The case of Uzbekistan. Studies in Russian and Soviet Cinema, 8(2), 132–149. https://doi.org/10.1080/17503132.2014.906328
3.Dzyaloshinskii, I. (2002). Cinema in post-Soviet Central Asia: Between tradition and innovation. Kinokultura, (3). Retrieved from http://www.kinokultura.com
4.Khalid, A. (2007). Islam after communism: Religion and politics in Central Asia. University of California Press.
5.Rahimova, N. (2016). The development of national cinema in Uzbekistan after 1991: Challenges and perspectives. Journal of Central Asian Studies, 23(1), 67–79.
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